HR "Heather" Kaiser Studio's
405-613-1797 kaiserheather@gmail.com

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"Harbinger of Good"
37" h x 36" w x 5.5" d, Ltd. Ed. 10"

Inspired by a photograph by Hans Watson. This limited edition sculpture is created with his permission, ensuring no copyright infringement.

Hans graciously offered his thoughts:
"It's an honor to see my photography inspire such a profound and timeless piece of art. The sculpture encapsulates the essence of my work in a way that words cannot express, translating my vision into an enduring form." — Hans.  
'Harbinger for Good' is the result of a unique collaboration, where Hans' photography inspired this bronze sculpture. It’s a story of shared creativity and mutual respect.   For collectors, this piece represents not just art, but a lasting tribute to the power of collaboration.”

Harbinger for Good, a piece that holds deep personal significance and ties into powerful themes of transformation and hope.

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"The Proud One"
25" h x 15" w x 9.5" d, Ltd. Ed. 15"

"She is a proud woman who embodies strength as a skilled builder, warrior, hunter, and master craftswoman within her tribe. Revered for her essential role in the tribe's survival, she adeptly balances cooking, gathering, and nurturing the children. Mutual respect between the men and women of the tribe underscores the harmonious dynamics within their community."

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"Honor and Courage"
29" h x 35" w x 16 d, Ltd. Ed. 10​

 "The Native American warrior is adorned with a halo-type bonnet, traditionally worn as ceremonial regalia by chiefs and warriors to symbolize honor and courage. These Warbonnets, rich in symbolism, were not typically worn into battle but served as sacred displays of a man's bravery and prestige, with each feather carrying a unique story and meaning specific to the individual Native American wearer."
BEST OF SHOW
Oklahoma Sculpture Society Winter Exhibition and Sale
FIRST PLACE 
Women Artist's of the West 51st National Exhibition

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"They Speak With Forked Tongues"
25" h x 18" w x 11" d, Ltd. Ed. 25

"The bronze Native American man symbolizes the consequences of greed and the drive for expansion on treaties between the United States government and Native American Indians. These agreements were frequently made, altered, violated, or disregarded by the government, resulting in Native Americans being deprived of their land, resources, and traditional way of life. This betrayal instilled deep feelings of mistrust within the Native American community."
BEST OF SHOW  AMERICAN PLAINS ARTIST 35TH JURIED EXHIBIT AND SALE.
SECOND PLACE AWARD WOMEN ARTISTS OF THE WEST 2020 50TH ANNIVERSARY NATIONAL EXHIBITION. ​
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"QUANAH PARKER" 
Comanche War Leader Of The Quahadi
41"h x 14"w x 16"d  Ltd. Ed. 15

"Quanah, a half-breed with blue eyes like his mother Cynthia Ann Parker, was the son of the Comanche chief Peta Nocona, who had kidnapped Cynthia, a white woman, when she was a child. Cynthia was the most well-known of all Indian captives of that era and repeatedly refused to return to her own people. Quanah and his band of Quahadi Comanches were the last to come into the reservation and were known as the most remote and hostile of all the Comanche groups. Quanah quickly realized that working with the white man was the best way to promote himself and help his people. He became a wealthy man and shared his wealth with his people to ensure that no one went hungry."
FIRST PLACE AWARD WINNER,  WOMEN ARTIST OF THE WEST MOUNTAIN AIRE EXHIBIT BOULDER, COLORADO

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"BLACKBULL"
24" h x 13.5" w x 11.5" d, Ltd. Ed. 35 in gold patina as shown or in gray

'The earliest peace medals were given to enhance diplomatic relationships between the government and the Indians. However, scores of Sioux Indians, mostly women and children, were killed at the Wounded Knee Massacre due to a tragic misunderstanding. A photograph of a Sioux Indian named Blackbull, taken years after the massacre, captures the lines etched in his face and the sadness in his eyes, hinting at the stories not only of this massacre but of countless others. (JULIA E. TUELL, 1886-1960, "Blackbull, Sioux and Mrs. Fast-Horse, Sioux, Rosebud Reservation, South Dakota," Framing the Frontier: Photographers & the American West, 1850-1920, accessed April 28, 2017, http://framingthefrontier.omeka.net/items/show/36)

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"WANASAPI TATANKA"  Buffalo Slaughter
22.5" h x 17"w x 16"d, Ltd. Ed. 30

 "Wherever the buffalo thrived, so did the Indians. Following the Civil War, the government recognized that as long as this vital food source remained abundant, it would be challenging to persuade the Indians to relocate to reservations, thus enabling westward expansion. In 1867, Colonel Dodge remarked, "Every buffalo dead is an Indian gone." Subsequently, the army permitted hunters to utilize their forts as operational bases, leading to the mass slaughter of buffalo."

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"AKETCHETA"  Warrior
 20"h x 13"w x 10"d, Ltd. Ed. 30

The pinnacle of manly valor for a warrior was not in slaying the enemy, but in counting coup on a live opponent and withdrawing unscathed. Counting coup involved striking the enemy with a coup stick, bow, or hand. Numerous tribal battle stories depict courageous warriors who counted coup on foes without causing harm. (Aadland, Dan. "Chapter 4/The Warrior." Women and Warriors of the Plains: The Pioneer Photography of Julia E. Tuell. Missoula (Mont.): Mountain, 2000. 110. Print.)
WINNER OF THE ARROWHEAD AWARD (FACILITY CHOICE AWARD) AND THE AWARD OF EXCELLENCE, AMERICAN PLAINS ARTISTS 31ST ANNUAL JURIED EXHIBIT AND SALE 2016
WINNER OF THE HONORARY MENTION, Traces of the West Invitational 2016
WINNER OF THE AWARD OF MERIT, AMERICAN WOMEN ARTIST SPRING 2017
WINNER OF THE AWARD OF EXCELLENCE FULL PAGE AD AWARD 47th National Exhibit 2017 Women Artist of the West

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WHITE HORSE
 23.5" h x 14"w x 10"d Ltd. Ed. 35

"In Sioux Civil Societies, the White Horse Riders society consisted mainly of seasoned warriors who had earned the privilege to adorn their horses for war or parades. White horses were selected for two reasons: white was considered a deeply spiritual color, and white horses were the best to display coup marks and symbols."  (Mails, Thomas E. "The Non-graded Societies." Dog Soldier, Bear Men and Buffalo Women. Eagle Cliffs: Prentice Hall, 1973. 232-34. Print.)
Winner of the Award of Excellence at Traces of the West Invitational Show and Sale 
Winner of the Publishers Award of Excellence from Art of the West 
Winner of the Sculpture Award 
at the American Plains Artists  Show
Winner of  N.A.W.A. Sculptural Visons in 3D
Winner Oklahoma Sculpture Society Winter Art Show ​

DANCING DOLL'S
19"h x 13" w x 9"d  Ltd. Ed. of 35

The Native American little girl dances joyfully with her dolls, her movements graceful and filled with innocence. As she moves to the drumbeat, her connection to her culture and heritage shines through, creating a beautiful and heartwarming scene of tradition and playfulness.
WINNER OF THE "Women Celebrating Creativity" National Association Of Women Artist 2019

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THE LOOK OF LOVE
26.5" h x 24" w x 21" d, Ltd. Ed. 30 

Most Europeans were impressed by the fondness shown and the exceptional care given to Native American children by their mothers.  The mothers often nursed their children until 2 or 3 years old. The children and babies always stayed close to their mother as she went about her daily work. Once weaned they were left to their own devices to learn under the watchful eyes of their parents and elders.  In general, children were indulged rather than punished.  "Native American Children." Encyclopedia of Children and Childhood in History and Society. .Encyclopedia.com. 27 Apr. 2017 <http://www.encyclopedia.com>.

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TEAMWORK 
12"h x 6"w x 12.5"d, Ltd. 35
"Bronze Sculpture of a Native American Warrior on Horseback – Teamwork in Action"

It was the tribes of the plains that quickly became outstanding horsemen after horses were introduced into the Americas. In coordinated effort the combined action of a skilled rider and his horse produced a team that could work together in full gallop with little to nothing between the horse and rider. The more adept horseman with the fastest horse could kill more buffalo elevating his social position among the tribe. Brookhouse, Winthrop. "The Age of Horse Culture: American Indian Horsemanship." Spanish Mustangs. W. Brookhouse, 07 Sept. 2014. Web. 28 Apr. 2017.

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DISCUSSION OVER
22.5"h x 17"w x 13"d, Ltd. Ed. 35 
Available in light patina or dark

 In the Old West, a girl with a strong attitude requires a gun. This hammerless Smith and Wesson is ideal for smaller hands. Now, when she declares "Discussion Over," it's truly over..
Winner of  N.A.W.A. Sculptural Visons in 3D

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